Tag Archives: ecocriticism

The Real Work

“Knowing that nothing need be done, is where we begin to move from”

-Gary Snyder, “Four Changes,” Turtle Island (1974)

Refuse bin, Mahabalipuram, India, February 2008

How do we address the social needs and demands of an economy, the natural constraints of ecology and the political imperatives of democracy? How do we think about the environment in historical, political, historical, sociological, economic, technological, and moral terms? And how do we reconcile the democratic freedoms at home with the imperialism abroad that feeds the greed for resources to feed our insatiable consumer economy? These complicated questions—at the center of the social movement (and discourse) we have come to call environmentalism—have motivated a range of writers whose cultural work begins with the paradox that the scientific, industrial and technological advances of the modern world have inexorably created an ecological catastrophe of massive proportions.

This semester I’m teaching a course in American and Environmental Studies that takes up these questions. Our focus is

US Forest Service campaign to prevent fire

environmental writing and its relationship to the discourse of environmentalism. I’m interested in the ethical claims of environmentalism as a framework for considering how writers (and writer-activists) seek to foster reflection and transformation of personal assumptions and attitudes, beliefs and behavior. My course, “Writing in an Endangered World,” is an interdisciplinary course and therefore designed to address program outcomes in Environmental Studies (critical thinking and problem solving skills, communication skills, skills associated with moral and character development, an understanding of the ethical implications of environmental issues) as well as in American Studies (understanding historical and contemporary American cultures, responding resourcefully to texts, integrating forms of scholarship from more than one discipline, and the ability to write an effective documented essay that includes a thesis that integrates interdisciplinary approaches). To these ends, the course makes visible the assumptions, frameworks, and methods of the disciplines that study natural and human history, the relationship between ecological and human systems, and the history and values of environmental engagement in North America during the 20th century. In addition to reading Ramachandra Guha, Environmentalism: A Global History, students are reading Rachel Carson, Silent Spring, Gary Snyder, Turtle Island, Edward Abbey, The Monkey Wrench Gang, Wendell Berry, The Unsettling of America: Culture and Agriculture, Linda Hogan, Solar Storms, Gary Snyder, The Practice of the Wild: Essays, Terry Tempest Williams, Refuge and T. C. Boyle The Tortilla Curtain. The course has also have considered the cultural presence of environmental concern in visual images, advertising campaigns, popular music, as well as other forms of cultural discourse.

The politics of environmental concern

I’m primarily interested in students thinking about how environmental writers use language as a primary vehicle for exploring the human prospect in an age of environmental crisis. Wendell Berry’s essays in The Unsettling of America, for example, ask students to consider the commonplaces that make possible our thinking about environmental questions. Berry enumerates the faults and contradictions of a system—call it what you will, capitalist, exploitative, free-market or global economy. Indeed Carson, Snyder, and Abbey all work from these commonplace ways of thinking. What makes this writing worth reading is that it moves beyond the limits of the language we make available to ourselves to address the problems we are being asked to think about. Imaginative writing takes many forms—including the writing we include in the genres of nonfiction, fiction, poetry. The language of this writing—its arguments, demonstrations, anecdotes and stories—serve as a counterpoint to what Wendell Berry calls our failure to reason about moral questions. “Public discourse of all kinds,” he insists in The Unsettling of America, “now tends to pattern itself either upon the arts of advertisement and propaganda (that is, the arts of persuasion without argument, which leads to reasonless and even unconscious acquiescence) or upon the allegedly objective or value-free demonstrations of science” (230). Berry’s claim about moral ignorance in The Unsettling of America is a provocation: a reminder that we are at once inheritors of a culture as well as stewards of that culture, and that the current state of the world is ultimately our responsibility. What do the current practices of agriculture, he asks, say about us? My case in the course is that Berry is not interested in the thinking that reinforces the opposition between saints and sinners (we are all both, he points out) or righteously pointing to the shortcomings or faults of someone else or some system or another. He is interested in the ways that we might move beyond thinking that begins “with a set of predetermining ideas” toward thinking that begins with “particular places, people, needs and desires” (233). He elaborates on this idea in chapter two, where he points to the problems of more ambitious institutional solutions that narrow and simplify as they propose particular actions or objectives.

Our focus on writing about particular places, people, needs and desires was enriched by a class visit by the writer Mark

Mark Kurlansky

Kurlansky. Mark was on campus for one of the spring Keene is Reading program events. (We had selected his book Cod: A Biography of the Fish That Changed the World and he was in town to give a talk at the Colonial Theater on the long and complex history of the cod fishing and the depleted fishing stocks and the people’s lives who are linked to the great fisheries of the North Atlantic.) He talked with the students about the work of a writer; and, given the focus of the course,  he addressed what it might mean to be a writer in an age of environmental concern. At one point he asked the students whether any of them had read Darwin. When he saw that none of the students had, he suggested that anyone interested in understanding contemporary environmental  problems could do no better than to read and consider what Darwin makes visible in his work. The teacher of the course (me!) could not have asked for a more timely and apposite recommendation.

American Literature and the Environmental Humanities

Late in May I headed to Boston to present my thoughts at a session on the environmental humanities at the annual American Literature Association conference. My presentation, titled “American Literature, Disciplinarity and the Environmental Humanities, began with a helpful remark by Jonathan Monroe, that “the first discipline of a discipline is, or should be, not to forget that it has not always been a discipline.” I also used Henry Nash Smith’s classic 1957 essay “Can American Studies Develop a Method?” to frame my thoughts on how the study of American culture, as Smith so aptly put it, as a whole “does not coincide with the customary field of operations of any academic discipline” (1). Much the same thing can be said about the environmental humanities, I explained, as the capacious term environment and the contested term humanities are elusive at best. Moroever, in making a case that our work as environmental humanists may move us from the study of literary categories such as American, and the professional identities we cultivate as Americanist scholars, I suggested that among the most productive things we might be doing right now would be conceiving of the environmental humanities as a collaboration across academic disciplines, in Smith’s words, “attempting to widen the boundaries imposed by conventional methods of inquiry” (11). My paper made the case that our definitions of the environmental humanities might therefore need to be somewhat more modest than we might like; at the same time I suggested that definitions of the environmental humanities that arise out of practice in particular intellectual and institutional communities may be more radical and consequential than we might think.

The Ecological Thought

Someone asked me the other day about my scholarship and I promised to post something about my recent writing. Here is a summary of my contributions to ongoing conversations about American poetry, environmental writing and the profession of English.

American Poetry
williamsI began writing about American poetry with two peer-reviewed journal articles: one on the poet Denise Levertov and one on William Carlos Williams. In 2004, my work on Williams continued with “Ideas as Forms of Beauty: William Carlos Williams’s Paterson and A. R. Ammons’s Tape for the Turn of Year,” an essay that appeared in  the book Rigor of Beauty: Essays in Commemoration of William Carlos Williams. More recently, my work in American poetry and poetics has contributed to the emerging field of ecopoetry. My essay “William Carlos Williams, Ecocriticism, and Contemporary American Poetry” appeared in the book Ecological Poetry: A Critical Introduction. Two additional essays were published this fall: a 10,000 word overview of the life and writing of A. R. Ammons, commissioned by the Dictionary of Literary Biography, and a 10,000 word critical history of the relationship between poetry and ecology that appeared in a multi-volume anthology entitled Reading in Contemporary America. In addition, since 2003, I’ve published shorter reference entries on the American poets William Carlos Williams, Theodore Roethke, Mary Oliver, W. S. Merwin, Gary Snyder, and Denise Levertov. I also regularly review new books of American poetry for ISLE: Interdisciplinary Studies in Literature and Environment. My most recent review is Mary Oliver’s book of poetry Thirst.

Environmental Writing and Ecocriticism

tnaelcover1Four years of work with co-editors Laird Christensen and Fred Waage has resulted in the publication of Teaching North American Environmental Literature (MLA 2008). Our book provides a center of access to the range of pedagogical possibilities for teaching environmental literature. The collection includes over thirty contributors and features essays on the environmental literatures of Canada as well as Mexican and Mexican-American environmental literature. The book includes a section for further reading, “Resources for Teaching Environmental Literature: A Selective Guide.” Before my last promotion I published the essay “Education and Environmental Literacy: Teaching Ecocomposition in Keene State College’s Environmental House” that appeared in Ecocomposition: Theoretical and Pedagogical Approaches. This publication has led to a series of publications on environmental writers and ecocriticism. In 2004 I published a 12,000 word entry on John McPhee in Dictionary of Literary Biography: Twentieth-Century Nature Writers: Prose. My essay “Ecocriticism and the Practice of Reading” appeared in the fall of 2006 special issue of the journal Reader: Essays in Reader-Oriented Theory, Criticism, and Pedagogy that I guest edited. Reader is a semiannual publication that generates discussion on reader-response theory, criticism, and pedagogy. My essay, and the special issue, is focused around the relationship between reading and ecological thinking.

My sabbatical offered me the time to write and present a plenary talk at an international conference in Hyderabad, India, “Shifting Ground: The Emergence of the Bioregion and the Watershed in the Teaching of North American Environmental Literature.” A revised version of this talk appeared this fall in the inaugural 2008 issue of the Indian Journal of Ecocriticism. I’ve also written a review of the first collection of essays on environmental literature and theory published in India, Essays in Ecocriticism, that will appear in ta forthcoming issue of  ISLE: Interdisciplinary Studies in Literature and Environment.

The Profession of English Studies

aculturescoverFor over ten years I have been writing about the profession of English. As a graduate student, while co-directing the Expository Writing Program at the University of Washington, I co-wrote and published the essay “Graduate Students, Professional Development Programs, and the Future(s) of English Studies” in the journal WPA: Writing Program Administration. Since arriving at Keene State College, my work in this area has focused on the intellectual work of English in particular institutional sites. In 2004, a Keene State College Faculty Development Pool Grant enabled me to travel to the Association of the Departments of English (ADE) Summer Seminar to broaden my perspective as a scholar interested in the profession of English. Moreover, serving for three years as a member (and for one year as Chair) of the MLA Committee on Academic Freedom and Professional Rights and Responsibilities (CAFPRR) furthered my understanding of the general conditions of the field of English studies and the professional lives of teachers and scholars. My subsequent inquiry into graduate training, the professional identity of faculty, and the small college department has been disseminated in a series of publications, book reviews and conference presentations. In 2005 I was invited to write a featured “Commentary” on the small college department, that I titled “Where Do You Teach?”, for the fall 2005 issue of the journal Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture. And my essay “Reading, Writing and Teaching in Context,” appeared in the book Academic Cultures: Professional Preparation and the Teaching Life (MLA 2008). This essay takes as its subject the representation of faculty work in terms of research and teaching as separate activities. My argument is that this pervasive subplot in the narrative of the profession is rooted in a representation of faculty work that transcends the local institution and the ways that departments and institutions define intellectual work.